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San Francisco Digitally
A Digital Photography Field Workshop
June 1-2, 2013 Enrollment is limited.
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A two day digital photography workshop exploring some of San Francisco's most visually interesting areas. We'll spend time in the Presidio with its old forts and forests, downtown skyscraper cityscapes, the Palace of Fine Arts World's Fair remnants, Fort Point with its spectacular views of the Golden Gate Bridge, (and possibly the Marin Headlands) and the urban eden of Golden Gate Park. We will also take in the restored Cliff House and its historic Camera Obscura. Much time will be spent walking and looking, knowing we will be in the area for awhile, giving you the freedom to explore, but also keeping help nearby.
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Stephen Johnson
A photographer, teacher and designer, Stephen has been teaching and working in photography since 1977. His books include At Mono Lake, the critically acclaimed The Great Central Valley: California's Heartland and Making a Digital Book. He runs his own photography, publishing and design company--scanning and designing his photographic books using a Macintosh computer and since 1994 photographing in the field with digital view cameras. |
In 1999, Folio Magazine declared the publication of Johnson's digital photographs in Life Magazine to be one of the Top 15 Critical Events in magazine publishing in the twentieth century. Stephen Johnson was named as a 2003 inductee into the Photoshop Hall of Fame, recognized for his achievements in Art. Canon named Steve as one of their Explorers of Light in 2006. In 1997, Life Magazine described Stephen Johnson as an artist that "...applies science to nature and creates art." His images create "...an intimacy that brings subject and viewer close in ways conventional photographs cannot." The Photographer’s Gallery wrote in 1998: “Stephen Johnson's photography rides on the "bleeding edge" of photography's transition to a digital media. Schooled in the traditions of fine-art western landscape photography, Johnson has taken his understanding of traditional photographic processes and brought those skills to bear on the emerging technologies and aesthetics of digital photography. He has pushed technology companies to rise to the best of what imagemaking can be, and pushed his own vision of how we see and record light in the natural world. This has led him to conclude that the way we have traditionally captured images with silver-based photography has been a poor and distortive view of the real and rich world before our eyes. His photographs look almost "unphotographic" in their clarity and purity of color. He shows us a world we know, but rarely see on paper. His is a truly remarkable vision.” He has lived in and near San Francisco since 1975. |
Stephen Johnson Biography WorkshopTestimonials Workshop Review ![]() To Register Refunds and Cancellations This workshop is financially dependent on adequate class registration. Where
minimum enrollment requirements are not met, the class will be canceled, and
a full refund given. You will be notified at least one week in advance if a
workshop is not going to take place. Student initiated cancellations
received prior to one month before the workshop will receive credit for a future workshop of similar value,
a 50% credit will be given for notice received at least 2 weeks immediately
prior to the workshop (a full credit less a $50 overhead fee will be given
if another student is able to fill the spot from a waiting list). No credit
will be given if cancelled less than 2 weeks prior to the workshop. Credits need to be redeemed within one year. |