Stephen Johnson Tutorial: Artwork Copying
(excerpt from the book Stephen Johnson on Digital Photography unreleased revised electronic version)
All of us have needed to copy our work at one time or another. As photographers we have certainly been asked to help other artists make slides, and now digital copies of our fellow artists paintings, drawings and other forms of expression.
When the original artwork is bigger than a desktop scanner can accomodate, then a copystand is in order with a number challenges coming with the task. Object photography has its own demands much like studio photography in general. But the process of lighting flat copy work and reproducing the color accurately is no small task.
There are some tools that can help.
Color balance is critical for copying artwork. It can be a very painful process to try to match the color of the original work.
You can encode the color response of your copying camera and your RAW processing by photographing the X-rite ColorChecker on your copystand, then by building a custom profile with the X-rite ColorChecker Passport software. It provides whites and neutral grays to white balance on and a custom camera calibration to use on your copy files as a starting point in Lightroom or Camera RAW.
Getting even lighting on the subject is almost impossible. While it is very important to try for an even distribution of coverage with your lights set at 45 degree angles, there is a unique and powerful digital technique/aid available designed to even out slight or even major variation in coverage. It is called Equalight.
The process involves taking a picture of the blank lighting itself and using it as a map of the lighting variations that is then subtracted from the copied image. Although it is possible to do this by hand in Photoshop with layers, the Equalight software makes the process much easier and systematic.
Watercolor. Ralph Putzker. Betterlight Scanning Camera copy by Stephen Johnson.
Here are a few ideas from my friend Robin Myers, creator of EquaLight that will help you.
More Tutorials, Technical discussions and Essays are linked from the Techniques Button on our Home page.
Interested in learning more? Perhaps one of our digital photography classes would be of help? We take the imparting of information and the empowerment of our students quite seriously. The digital age has considerably enhanced our ability to teach, and we believe your ability to capture what you see. This program is designed to help you benefit from both of these advances. We hope you can join us on a workshop.
Maine Media Workshops
RAW to Print: Summer Digital Bootcamp
San Francisco Digitally
The Fine Art Print
High and Eastern: A High Sierra, Owens Valley, and White Mountains Workshop
Mono Lake and the Eastern Sierra
Death Valley in Winter
Tanzania Africa February 2012
Galapagos March 2012
For a full list of current workshops, click here.